The Political Propaganda Posters in China generally refers to the Posters that created after Mao’s Talks at the Yanan Forum on Literature and Art. The target groups of the Propaganda Posters were the workers, the peasants, the soldiers, and the revolutionary cadres, who were the vast majority of the population in China. The goal was to use the Political Propaganda Posters as a “culture army”, for uniting China’s own ranks, defeating the enemy and helping the Chinese revolution. Hence, the topics of those Posters were related to the Historical events that happened at that period of time, and the Posters will either “reduced the domain of China’s feudal culture and of the comprador culture which serves imperialist aggression” or praising the revolution or Political Policies held by Mao at the corresponding period of time.  Because these Posters were serving for the variety of uneducated masses, the style of the Posters were mainly with bright colors and easy to understand. Sophisticated painting skills and Westernized skills were criticized by Mao, and the protagonists in the Posters will always be the masses and Mao. This is one of the Political Propaganda Posters during the Great Leap Forward, showing how People’s Commune policy led Chinese people into a happy life.

“The commune is like a gigantic dragon; production is noticeable awe-inspiring.”

made by Wu Shaoyun, Zhang Yuqing and Lu Zezhi. 1959, September. Shanghai renmin Meishu Chubanshe published