Native Son (1940) is a novel written by the American author Richard Wright. The story revolves around 20-year-old Bigger Thomas, an African American youth living in extreme poverty in the “South Side” of Chicago in the 1930s. Wright portrays a systemic inevitability behind Bigger’s crimes, despite Bigger never apologizing for them. Bigger’s lawyer, Boris Max, makes the case that there is no escape from this destiny. This is because Bigger, or any other black American for that matter, is a necessary product of the society that formed them and told them since birth who exactly they were supposed to be.
Wright’s exploration of Bigger’s psychological corruption gives us a new perspective on the oppressive effect racism had on the black population in America in the 1930s. Bigger’s psychological damage originates from the constant barrage of racist propaganda and racial oppression he faces while growing up. The movies he sees depict whites as wealthy and sophisticated , while the blacks are depicted as jungle savages. Bigger and his family live in cramped and squalid conditions. They endure socially enforced poverty and have little to no educational opportunities. Bigger’s attitude toward whites in response to this is a volatile combination of anger and fear. He believes “whiteness” is an overpowering and hostile force that will forever be set against him. Just as whites fail to conceive of Bigger as an individual, he fails to distinguish between whites as individuals. To him, they are all the same, frightening and untrustworthy. Because of his immense hatred and fear, Bigger’s accidental killing of Mary Dalton does not leave him with guilt. Instead, he feels an odd jubilation because, for the first time, he has established his own individuality against the white forces that have conspired to destroy it.