Lars’ analysis of Fu Baoshi and his individualistic style is an interesting comparison to Li Keran’s own work and style. Lars’ talks about how Baoshi grew up in a time of lost identity and how he turned to traditional realistic depictions that stressed color and a shift from the monochromatic Chinese techniques. The painting Lars chose for the analysis is similar to Dresden at Dusk in its effect and appearance. However, Keran utilized the traditional monochromic style seen in Chinese traditional while Baoshi included color in his work. Both acknowledge and use traditional styles but add their own twist to their works. In Keran’s case it is the incorporation of Western art styles, Baoshi adds his personal touch with uses color and ink wash. The combination of traditional Chinese styles with other techniques is an interesting evolution of the art, as is seeing how different artists take that evolution in different directions.