Works on Paper:

Pre-Modern Era Prints

The earliest fine art print held by the Permanent Collection is a block print from the Nuremberg Chronicles by Michael Wolgemut from the late 15th century, which displays an early example of the then new technology – printmaking. Other standouts in our pre-modern collection include notable works by Corot, Daumier, Goya, Manet, Millet, Piranesi, and Tiepolo.

Jean-Francois Millet, La Grande Bergère, 1862, etching on laid paper, Union College Permanent Collection
Édouard Manet, La petite fille tenant un bébé, 1861-62, etching on laid paper with deckled edges, Union College Permanent Collection
Honoré Daumier, Ayant la retention de faire partie du beau monde (from Les Bons Bourgeois), 1847, lithograph on paper, Union College Permanent Collection
Francisco José de Goya, Los Proverbios, n.d., etching with aquatint, Union College Permanent Collection
Michael Wolgemut, Untitled (folio CCLVII), 1493, woodcut on paper, Union College Permanent Collection
Édouard Vuillard, La Vie Muette, ca. 1894, print, gift of William B. Jaffe, Union College Permanent Collection, x2009.19 UCPC
James Abbott McNeill Whistler, Smith’s Yard, 1895, lithograph, Union College Permanent Collection
Giovanni Domenico Tiepolo, Untitled Portrait, n.d., etching on laid paper, Union College Permanent Collection
Felix Bracquemond, Swallows in Flight, ca. 1884, etching on laid paper, Union College Permanent Collection
Sir Francis Seymour Haden, Cowdray with Geese, 1882, etching, Union College Permanent Collection
Adriaen Collaert, Slaughter of the Innocents, n.d., engraving on laid paper, Union College Permanent Collection
Jean-Baptiste Camille Corot, Environs de Rome, 1866, etching on laid paper, Union College Permanent Collection