Chris Duncan, associate professor of sculpture and drawing, didn't
expect to do much sculpting while accompanying a group of Union students to China last
fall. So he brought only his charcoals and heavy drawing paper and found room enough to
work on a desk in his hotel room.
But being away from the comforts and conveniences of his studio gave
Duncan a new perspective in his sculpting, he said.
While in China, Duncan discovered very thin Chinese rice paper, Chinese
ink and paint brushes. Working with these light, flexible materials, and incorporating
color, proved liberating, Duncan says. He says he found working with these materials was
in many ways, like sculpting.
“Building layers of line and color was like building up the surface
of a sculpture,” he said. “So, some of the Chinese drawings are like studies for
sculpture, while others read more as screens of giddy calligraphy.”
Duncan will be showing some of the work he did in China in an exhibit through
March 6 in the Nott Memorial. Also featured in the show are older, abstract charcoal
drawings, as well as sculptures in steel, bronze and plaster.
“I work abstractly, but I've been incorporating regular
objects in the pieces,” he says. “Ideally, there's some sort of tension,
maybe a play between representation and abstraction.” Some of Duncan's
sculptures have small plastic toys and cars embedded in them. The toys, which came from a
bag lying around Duncan's studio, worked their way into the sculptures, as Duncan
says in retrospect, to represent overwhelming feelings from “all the stuff we
acquire.”
Steel has always been Duncan's preferred medium. “Even though
the piece is made out of industrial material, the intent is to evoke a feeling for the
body, or organic existence,” he says. His steel wall pieces are reminiscent of masks,
and one might notice other associations with the body in Duncan's sculpture. Students
in his sculpture class this term are making portraits of themselves using body fragments
made with plaster molds.
-by Erika Mancini '00, PR intern
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