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Exhibit highlights students’ experience in France

Posted on Feb 15, 2006

Elisabeth Sartori print. Exhibit: Impressions of the Louvre.


The Nott Memorial's Wikoff Student Gallery (third floor) currently exhibits works created by Union College students who participated in a mini-term abroad. Drawn to print: Impressions of the Louvre will run through March 10.


Twenty-one students and two faculty members took part in a three-week study of the Louvre Museum in Paris during the winter break of 2005.



Professor David Ogawa asked one group to focus on the history of the Louvre. The second group, led by Professor Sandy Wimer, drew the sculptures, architectural elements and other spaces found both inside and outside the museum.



Margaret Southwell print. Exhibit: Impressions of the Louvre


The studio group also made drypoint etchings that they printed at L'atelier de l'Orme, a cooperative print shop on the outskirts of Paris. Drypoint, the most immediate etching technique, is done by using a scribe to scratch the surface of a zinc, copper or plexiglass plate which is then inked and printed.



Janielle Porter print. Exhibit: Impressions of the Louvre.


The prints in the exhibit are also representative of their time in Paris. An ongoing slide show will document the students' experience.



In addition to using the Parisian print shop, the studio group also attended a show of artists' books as well as Champs Fleury, a traditional lithography shop, and CNEAI, a contemporary print center.


For more information visit: http://www.union.edu/Gallery/Current.htm


 

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A winter’s dance concert: Dance-theater collaboration an exciting mix of styles, musics, themes

Posted on Feb 15, 2006

From a “Rent” solo to the storybook ballet “Giselle” to an original dance-theater piece that focuses on French artist and writer Jean Cocteau, this year's Winter Dance Concert at the Yulman Theatre is a big, creative, splashy undertaking.



There are two opportunities to attend – Friday, March 3, and Saturday, March 4, at 8 p.m. each night.


Jean Cocteau, artist and writer

One of the program's major pieces, “Jean Cocteau:Le Prince Frivole,” to music by Erik Satie, is an original creation by Miryam Moutillet, director of the dance program, and Charles Batson, associate professor of French, in which theater majors dance and dance students deliver lines of text.

All of the performers in the piece have taken “Staging Explorations in Theater and Dance,” co-taught by Moutillet and Batson.


“We've never done this before. They're all involved in the process of what it's like to create a dance-theater piece,” said Moutillet.

“We wanted to offer a course to celebrate the new Department of Theater and Dance,” said Batson, noting the recent combination of the two progams. “We're tracing the life and work of Jean Cocteau, putting him on trial for his notions of art, and we're having a blast.”

The extravagant costumes are by Lloyd Waiwaiole, with set design by Charles Steckler and lighting design by John Miller. Three students also have important technical roles: Susan Beckhardt '07 is the projection designer, Cooper Braun-Enos '06 is the sound engineer and Charles Holiday '06 is stage manager.



The other dances feature students and two professional dancers who are members of the Union faculty, Marcus Rogers and Alexis Pangborn.


The dances are:

“Giselle,” a ballet adaptation by Moutillet for principal dancers Rachael Peters '07 and Rogers and 20 corps de balletdancers;

“A Place to Land,” a modern dance for three created by Jessica Murtagh '06;


“I'll Cover You,” from the Broadway show, “Rent,” choreographed and performed by Rogers;


“Footloose,” a tap number for seven dancers, created by Rogers;

“Hung Up,” a jazz piece by Rogers for 21 dancers, set to music by Madonna;

“Agon,” the Balanchine masterpiece, adapted and performed by Pangborn; and

“Canco De Bressol,” a modern Spanish piece, also adapted and performed by Pangborn.


Tickets go on sale Monday, Feb. 20 at the Yulman Theatre. The cost is $10 for general admission and $7 for Union faculty, staff and students.

For more information, call the Box Office at ext. 6545.

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Temi Bova appointed new head of Schenectady incubator

Posted on Feb 15, 2006

Temi Bova, a former marketing manager for General Electric, has been named the executive director of U-Start, the business incubator associated with Union College.


Temi Bova, executive director, U-Start, Inc.


Bova replaces Jon C. Lemelin, who stepped down last month to accept an expanded role at the Graduate College of Union University.


“We are delighted that Temi has decided to accept this position,'' said Walter L. Robb, co-chairman of the U-Start Board of Directors and retired senior vice president at G.E.  “She brings a wealth of experience and energy to this critical post, and we look forward to her leadership.''


Bova, 44, led the global integration of all marketing communications, branding and media relations at GE Advanced Materials Plastics business in Pittsfield, Mass. for three years. Previously, she worked at Rensselaer Polytechnic Institute in Troy, N.Y., where she provided strategic marketing and communications support to the Schools of Engineering, Science and Management.


“I want to create an environment that is encouraging of ideas and entrepreneurship,'' said Bova, who officially took over Feb. 1. “I'm anxious to develop a program that will produce successful graduates and businesses that will contribute to the community.''


Bova grew up in Albany. She received her bachelor's degree in classics/economics from Wheaton College in Norton, Mass. and her masters in business administration from RPI. She and her husband John live in Colonie.


U-Start was created in July 1999 to help fledgling high-tech companies by providing space, technical assistance and other resources. Since its inception, it has graduated two companies who moved into their own space.


U-Start operates in two converted Victorian homes at 2 & 4 Nott Terrace in Schenectady, across from the Union campus. Each building has six suites, a conference room and a kitchen.

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Lobby effort draws all kinds

Posted on Feb 14, 2006

When it comes to lobbying, there aren't just big fish in the pond.
   Nonprofit groups, colleges, public interest groups, as well as state and local governments, are among those that hire outside experts to advocate on their behalf with government officials in Albany and Washington.
   While the ongoing congressional scandal involving lobbyist Jack Abramoff has gotten the public's attention, lobbying is an often misunderstood topic.
   “Lobbying itself is not a bad word,” said Rachel Leon of the public interest group Common Cause of New York, herself a registered lobbyist. “But it's a trend that's turned into a phenomenon. There are more lobbyists per legislator in New York state than in any other state.”
   Nationwide, lobbying is a booming business. In New York state, $144 million was spent on lobbying in 2004, up from $120 million the year before, according to the New York Temporary State Commission on Lobbying's 2004 report. Twenty years ago, $12 million was spent on state lobbying in New York.
   Jim Featherstonhaugh of Featherstonhaugh, Wiley, Clyne & Cordo, an Albany law firm that's also one of the top lobbying firms in the state, said the “Reagan Revolution” of the 1980s increased the state's regulatory role and led to more state lobbying. “As the states took a greater and greater regulatory role, the need for expertise came with it,” he said.
   The expansion isn't limited to big-time lobbyists with big-time clients.
   Lake George Opera, a small Saratoga Springs-based opera company, paid federal lobbyist William Teator $40,000 in 2004. Ellis Hospital in Schenectady paid Albany-based lobbyist Wilson, Elser, Moskowitz, Edelman & Dicker $75,000 a year to act as its federal lobbyist.
VOICE OF HOSPITALS
   Donna Evans, an Ellis spokeswoman, said the firm was hired to “help us understand what health care funding might be available in the state and federal government.” The relationship has since ended, with Ellis now doing its own lobbying as well as with a group of six local hospitals.
   Curtis Tucker, general director of the Lake George Opera, said its lobbyist was hired for expertise in seeking out federal grant money apart from the National Endowment for the Arts grants the opera company receives.
   “For a small organization like ours, it was felt it would be particularly hard to be active at the federal level,” Tucker said. “The scope of funding within the federal government is really vast, and we're not aware of a lot of the opportunities out there.” In the end, however, the grant didn't materialize and the lobbying effort was abandoned.
   “Increasingly, because lobbying is such a lucrative profession especially here in New York state, it's so much a part of how business is done in Albany,” Leon said. “A lot of nonprofits and schools feel they have to be in the game in order to get their point of view across, and that's too bad.”
FORM OF OUTREACH
   Fundamentally, lobbying is a form of reaching out to government officials to convey information, ideas and opinions. That, in essence, is expression protected by the Constitution, said Leonard Cutler, director of the Center for the Study of Government and Politics at Siena College in Loudonville. “It's up to the policy-makers to determine whether to accept the view of one lobbyist over another,” he said.
   Melissa Carlson, a spokeswoman for Congressman John Sweeney, a Republican from Clifton Park, echoed that viewpoint. “There has been a lot of talk in Washington about ethics laws and lobbying, and certainly there are things we could look at,” she said. “Members [of Congress] looking to do any kind of reform should keep in mind that the right to petition is a very sacred constitutional right.”
   Not everyone sees the need for lobbyists.
   Congressman Michael McNulty, a Democrat from Green Island, said advocating for the people, groups and companies in his district is his job and that makes spending money on lobbying “a total and complete waste of money.”
   “We are representatives of the people . . . and our job is to aggressively represent them,” McNulty said, noting his own successes in bringing federal dollars to his district. “I have no idea what a lobby group can do that would be more effective,” he said. “Spending money on a [Washington] DC lobbyist is a waste.”
   “Lobbyists will tell you that there's some foreign language spoken here in the Capitol that only lobbyists can translate,” said David Grandeau, executive director of the state Lobbying Commission. “But the best advocate for a business is the owner of the business. He'll do a far better job of lobbying than a paid gun.”
CALLS BY CONSTITUENTS
   State Sen. Hugh T. Farley said his 300,000 constituents are his most effective lobbyists. “When they call, when they write, that has a lot of influence with everyone.”
   But the professionals have their place as well, he said. Farley meets regularly with lobbyists, and appreciates the knowledge they bring to the table. “They do provide a positive function,” Farley said.
   By definition, a lobbyist is someone who is paid to promote a specific interest to government officials. How much they're paid determines whether they need to register with the state or federal government.
   The lobbying industry has long been colored by unsavory images of smokey back rooms crowded with fat cats securing preferential treatment from seedy politicians.
   Featherstonhaugh said any industry with the high number of people involved in it that are involved in lobbying will have “an occasional bad apple.”
   “And you certainly have misguided, misinformed and not very careful apples,” he said.
ONLINE INFORMATION
   But he added that today's lobbying industry is far more transparent than the industry of a generation ago. The state collects and posts online information listing every client he represents, what issues they're interested in and how much he's paid.
   Grandeau, of the Lobbying Commission, said the profession itself has “evolved from cigars and cocktails to modems and laptops.” Lobbyists, he said, are using sophisticated marketing techniques, such as polling, letterwriting campaigns and celebrity endorsements, to get their points across.
   The techniques mimic those used in elections. “Whatever they're doing in campaigns, we'll see three or four years later in lobbying,” Grandeau said.
   Some say lobbyists perform an essential service to government by providing decision-makers with information and different points of view.
   “That's information we depend on,” Carlson said. “We have a very limited number of people in the office and we have to be experts on every issue out there.”
   If legislation is going to hurt an industry or a group of people, Farley said he wants to know before he votes, not afterwards. “One of the classic things is when an industry gets skewered, and we never heard from anyone,” he said.
   “At least New York state, and most of the major states, have quite professional central staffs that have real continuity so they have expertise of their own about, for example, economic development, gaming, health care,” Featherstonhaugh said.
   But Featherstonhaugh said that while government staffers have a background in which they can frame an issue, they frequently don't have all the information they need to evaluate the proposal fully.
   “It's not that [contacting elected officials] doesn't work,” said William Schwarz, director of communications and public affairs at Union College in Schenectady. “But there is a value in some situations to have an individual with an in-depth knowledge about the political process.”
   For some institutions, that makes hiring an outside lobbyist more efficient. “You can end up making a lot of phone calls not knowing if you're calling the right person,” Schwarz said.
EXPERIENCE CITED
   “New York state is a very complicated system of government,” he said, adding experience is often needed to understand its processes and nuances. Even something as simple as an appropriation for a specific project, he said, can be waylaid by the vagaries of the legislative calendar. “If you miss a deadline for the executive budget, the window might almost be closed and you have to look elsewhere for money,” he said.
   Lobbying on behalf of colleges and universities is done by a number of broader groups. But Union, like others, has in recent years lobbied on its own behalf as well. That effort primarily seeks state funding opportunities for programs that enhance Union's educational mission, he said.
   One success was the $5 million state grant awarded in 2005 for a research and training collaboration among Union, SuperPower Inc. and Schenectady County Community College.
   Making that happen required coming up with a proposal that would satisfy the state's objectives. It was more than filling out a grant application, Schwarz said. It was discussions, meetings and reviews aimed at coming up with a solid proposal.
CHANGE EXPECTED
   Given the controversy over the current Washington scandal, some change in lobbying rules is expected at both the federal and state level.
   “It's not something that will be done in one fell swoop,” said Cutler, who nonetheless expects some state action on lobbying and campaign finance reform.


 


 


 


 

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Musicians from Marlboro to perform March 2

Posted on Feb 14, 2006

Gilbert kalish, piano.
Musicians from Marlboro 2005-2006.


The Musicians from Marlboro take to the stage at Union College's Memorial Chapel on Thursday, March 2, at 8 p.m. as part of the College's Chamber Concert Series.



The famed musicians comprising the touring company are: Gilbert Kalish, piano; Hyunah Yu, soprano; Valerie Chermiset, flute; Rudolph Vrbsky, oboe; Alexander Fiterstein, clarinet; Shinyee Na, bassoon; and Paul S. Follette III, horn.



Hyunah Yu, soparano. Musicians from Marlboro, 2005-2006.


Their performance will include Carl Nielsen's Woodwind Quintet; Schubert's Der Hirt auf dem Felsen D. 965 and lieder ; Elliot Carter's Eight Etudes and a Fantasy for winds; and Beethoven's Quintet in E flat for Piano and Winds, Op. 16.




The 2005-2006 season marks the 40th anniversary of this touring company, which  originated as an extension of Vermont's Marlboro Music Festival, founded in 1951.


Valerie Chermiset, flute. Musicians from Marlboro, 2005-2006.


Time Magazine's Michael Walsh proclaimed this talented group as “the most exciting chamber music in the United States.”




Tickets, free to the Union community, are $20 for the general public and $8 for area students, purchased at the door one hour before the performance, or available at the College Facilities Building; call 388-6080.


For more information, call 372-3651 or visit the Union College Web site at http://www.union.edu/concertseries

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